Yes - Close To The Edge -2013- -flac 24-192- Guide
: Typically presented at 24-bit / 96 kHz to match the resolution of the multitrack source tapes.
Here is a breakdown of why this specific file format and remaster stand out.
A gentler, pastoral track that highlights Jon Anderson’s ethereal vocals and Howe's acoustic mastery.
The 2013 Definitive Edition remix of Yes's 1972 progressive rock masterpiece, Close to the Edge , encoded in FLAC 24-bit/192kHz, represents the absolute pinnacle of audiophile archival releases. Mixed by musician and audio restoration specialist Steven Wilson, this high-resolution transfer uncovers layers of acoustic texture, vocal harmony, and dynamic power that were previously compressed or buried in standard redbook CD audio and original vinyl pressings. The Monumental Legacy of Close to the Edge Yes - Close To The Edge -2013- -FLAC 24-192-
In the title track’s quiet interludes, the sound of dripping water and ambient textures achieve a "near-tactile" realism in the high-bitrate environment. Historical Significance of the Work Originally released on September 13, 1972, Close To The Edge
The "Yes - Close To The Edge - 2013 - FLAC 24-192" is essential listening for audiophiles and prog-rock fans. It respects the original mix while utilizing modern technology to extract every ounce of detail from the master tapes.
The "FLAC 24-192" designation refers to two distinct components of the 2013 high-resolution package: Original Stereo Mix (Flat Transfer): The 24-bit / 192kHz files are typically flat transfers : Typically presented at 24-bit / 96 kHz
The improved separation allows listeners to hear previously buried vocal harmonies and counterpoints, particularly in the "I Get Up, I Get Down" section. 2. High-Res Audio Highlights (24-192 FLAC) Immersive Detail:
To truly appreciate the scale and nuance of this masterpiece, we recommend listening to a of the album’s opening section. A short clip does not capture the full dynamic range or the precise stereo imaging of the 24/192 mix, but it provides a glimpse into the unparalleled clarity and immersive soundstage that define this release.
The 18-minute title track occupies the entire first side of the original vinyl. It is a multi-movement suite inspired by Hermann Hesse’s novel Siddhartha . The piece moves from chaotic, avant-garde jazz-fusion intros to serene, organ-driven spiritual climaxes. It showcases a band operating at the absolute peak of its collective powers. Side Two Gems The 2013 Definitive Edition remix of Yes's 1972
: The subtle crispness of his snare ghost notes and ride cymbal bells sound incredibly lifelike.
The question of whether 24/192 audio is a genuine leap forward or a marketing gimmick is a persistent one in audiophile circles. The truth lies in the listening chain. On standard consumer equipment, the differences might be subtle. However, on a high-end system, the benefits are tangible: a vanishingly low noise floor, a more precise soundstage, and an almost tangible sense of the studio ambiance. For a complex album like Close to the Edge , where Rick Wakeman’s intricate keyboard layers and Chris Squire’s growling bass are mixed with delicate acoustic passages, the 24/192 format allows each instrument to breathe in its own space, revealing details previously lost in previous editions.