The gallery of her early fashion features high-waisted pants, sleek bouffant hairstyles, tailored tops, and oversized sunglasses that perfectly captured the "Swinging Sixties" vibe.
Born on December 29, 1946, in Kolkata, India, Sharmila Tagore began her acting career at a young age. Her debut film, "Apu Sansar" (1959), marked the beginning of a remarkable journey in Indian cinema. As she gained popularity, Sharmila's sense of style started to take center stage. Her early fashion choices were characterized by traditional Indian attire, often featuring intricate sarees, elegant salwar kameez, and statement jewelry.
: Her high, voluminous beehive hairstyle became a national trend. Women across India copied this dramatic look. wwwsharmila tagore nude fuck photocom fixed
Mention if you are looking for specific types of sarees (chiffon, Bengali style, etc.). Want tips on recreating her vintage winged eyeliner look. Share public link
: She popularized bold, dark, exaggerated eyeliner. This sharp makeup look defined the aesthetic of her generation. The gallery of her early fashion features high-waisted
In 1966, her Filmfare magazine cover in a two-piece swimsuit shocked conservative India. She repeated this bold look in the 1967 film An Evening in Paris .
This was the period where her signature beehive hairdo, dramatic winged eyeliner, and crimson red lipstick became her lasting legacy. She brought this glamour to some of the era's most iconic films, like Aradhana (1969), Amar Prem (1972), and Daag (1973), often opposite the phenomenon Rajesh Khanna. Her looks in these films—including stunning silk sarees and chic coiffed hairstyles—were emulated by women nationwide, from her beehive bouffant to her distinctive makeup style. What made her truly special during this time was how she balanced commercial Hindi films with art-house Bengali masterpieces like Aranyer Din Ratri (1970), all while maintaining her impeccable sense of fashion. As she gained popularity, Sharmila's sense of style
Tagore became a true trendsetter by mixing Western style with Indian fashion. She challenged the conservative norms of Indian cinema during the late 1960s.
At the screening of the restored version of Satyajit Ray's Aranyer Din Ratri in Cannes, Tagore wore a . Accompanied by her daughter Saba Pataudi, she accessorised the regal drape with a gold clutch and delicate green earrings, exuding "understated grace". The moment went viral, with fans and critics alike praising the pair for presenting the "right representation of Indian cinema... full of grace and talent". It was a quiet but powerful reminder that true style does not need to scream; it simply "arrives — calm, luminous, and unforgettable".
Perhaps the most controversial and celebrated image in the gallery is Sharmila in a two-piece swimsuit for An Evening in Paris . At a time when Indian actresses swam in saris, Tagore’s choice was seismic. The gallery’s high-resolution images highlight the plunging neckline and the confident posture. This wasn't just a photo; it was a statement on body autonomy.
Several dedicated vintage Bollywood Instagram accounts frequently post high-quality, restored images of her iconic fashion moments.