| Track | Title | Remixer(s) | Duration | | :--- | :--- | :--- | :--- | | 1 | | Joris Voorn | 6:05 | | 2 | Gumboots | Joyce Muniz | 6:49 | | 3 | I Know What I Know | Sharam (Sharam's Motherland Mix) | 7:28 | | 4 | Crazy Love, Vol. II | Paul Oakenfold (Extended Remix) | 3:55 | | 5 | The Boy In the Bubble | Richy Ahmed | 8:34 | | 6 | You Can Call Me Al | Groove Armada (Dub Redemption) | 7:23 | | 7 | Under African Skies | Rich Pinder & Djoko (Vocal Mix) | 6:37 | | 8 | Graceland | MK & KC Lights (Remix) | 4:46 | | 9 | That Was Your Mother | Gui Boratto | 6:17 | | 10 | Diamonds On the Soles of Her Shoes | Thievery Corporation | 6:01 | | 11 | All Around the World or the Myth of Fingerprints | Photek | 4:35 | | 12 | Homeless | Joris Voorn (Kitchen Table Mix / The Duke of New York's Edit) | 1:13 |
Graceland (The Remixes) stands as a fascinating, if controversial, chapter in the history of one of popular music's most beloved albums. It is a project that dared to deconstruct a masterpiece, and in doing so, it created a document of its time—capturing the sounds and production trends of late 2010s electronic music while forever tied to the musical genius of 1980s Paul Simon.
Rather than simply layering generic house beats over Simon's vocals, these artists isolated the original master stems—Bakithi Kumalo’s iconic fretless basslines, the soaring harmonies of Ladysmith Black Mambazo, and Ray Phiri’s staccato guitar licks—and recontextualized them into deep house, techno, and ambient soundscapes. Track-by-Track Highlights 1. "You Can Call Me Al" (Groove Armada Dub Rework) paul simon graceland the remixes 2018 flac
Upon release, Graceland (The Remixes) received a polarized response, largely stemming from the sacrosanct status of the original. Some critics and listeners viewed the project as a refreshing and bold reinterpretation. One review noted that while the style "is not to everyone's taste, it is easy on the ears, consistent in style and impeccably produced". Other platforms acknowledged the project's ambition, highlighting its broad stylistic range.
"Diamonds on the Soles of Her Shoes" (Thievery Corporation Remix) | Track | Title | Remixer(s) | Duration
Groove Armada strips away the radio-friendly brightness of the original hit and transforms it into a late-night, dub-infused house anthem. The iconic horn riff is chopped, filtered, and echoed into the background, while the focus shifts to a driving, hypnotic drum groove. The lossless format highlights the analog warmth of the filters used on the brass instruments, making it feel club-ready yet sophisticated. "Under African Skies" (Richy Ahmed Remix)
Ahmed transforms the dark, accordion-driven opening track into a driving tech-house anthem. The ominous lyrics contrast brilliantly with a rhythmic, pulsing bassline designed for festival sound systems. 3. "Graceland" (MK Remix) Rather than simply layering generic house beats over
Graceland: The Remixes (2018) is a fascinating audio experiment that bridges generational and stylistic divides. It proves that great songwriting and brilliant musicianship are malleable; they can exist just as comfortably on a festival stage as they did on AM/FM radio in the late 1980s. For anyone with a high-fidelity audio system or a premium pair of headphones, listening to this album in FLAC format is a masterclass in modern audio engineering, honoring the past while boldly dancing into the future. Share public link
If you are hunting for the files, you likely already appreciate high-fidelity audio. However, this specific remix album yields massive benefits from a lossless container for several reasons: Audio Element MP3 (Compressed) Experience FLAC (Lossless) Experience The Basslines