| XTC Discography |
| Revision 5.83s (26 July 2025) |
This discography copyright © 1988-2025 by John Relph.
Contents:
- Summary
- A concise list of everything ever released.
- Recent Updates
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- A short list of recent updates.
- Albums
- Regular XTC album releases.
- Singles and EPs
- Regular XTC singles and EPs.
- Collections, Retrospectives and More
- Collections of album and non-album tracks.
- Promotional Releases and Giveaways
- Radio station and record store stuff that collectors love.
- Interviews and Radio Shows
- For radio broadcast only.
- Unauthorized Releases
- Bootlegs, pirates, and counterfeits.
- The Dukes of Stratosphear
- The psychedelic alter-egos.
- Other Extracurricular and Solo Activity
- Solo works and releases in disguise with diamonds.
- Guest Appearances and Collaborations with Other Artists
- From cameos to co-writing.
- Compilations of Various Artists
- XTC: one-hit wonders.
- Rumoured and Future Releases
- I can neither confirm nor deny.
- The Fine Print
- Copyright and key to abbreviations.
This discography compiled, edited, and formatted by John Relph. Much information has come from the wonderful Wonderland XTC discography compiled by Shigemasa Fujimoto (Thanks!). Some information was also found in and/or verified by Brad Nelson's (Bremerton, Washington) XTC Discography.
I am indebted to the maintainers of these other discographies for additional information:
Dave Gregory (Mark Strijbos and Debie Edmonds)
The Big Dish (Simon Young)
Clark Datchler (John Berge)
Louis Philippe (Mr. Sunshine)
Dr. Demento (Jeff Morris)
Hüsker Dü (Paul Hilcoff)
Discogs (you and me)
Thanks go out to these additional contributors:
Sebastián Adúriz, Stephen Arthur, Klaus Bergmaier, Todd Bernhardt, Philippe Bihan, Fredrik Björklund, Allan Blackman, Patrick Bourcier, Barry Brooks, Jean-Christophe Brouchard, David Brown, Chris Browning, Stephen Bruun, Darryl W. Bullock, Justin Bur, Giancarlo Cairella, James Robert Campbell, Justin Campbell, Pedro Cardoso, Damon Z Cassell, Alberto M. Castagna, Jean-Philippe Cimetière, Chris Clark, William Alan Cohen, Britt Conley, Doug Coster, Al Crawford, Paul Culnane, Ian Dahlberg, Michael Dallin, Gary L Dare, David Datta, Adam Davies, Duane Day, Stefano De Astis, André de Koning, Simon Deane, Marcus Deininger, Tom Demi, Kevin Denley, Chris Dodge, Morgan Dodge, Chris Donnell, Charlie Dontsurf, François Drouin, Jon Drukman, Johan Ekdahl, Charles Eltham, Remco Engels, Stewart Evans, John C Falstaff, Mark Fisher, Peter Fitzpatrick, Martin Fopp, Dave Franson, Mitch Friedman, Martin Fuchs, A. J. Fuller, André Garneau, Greg Gillette, George Gimarc, Giovanni Giusti, David Glazener, Mark Glickman, Mike Godfrey, Marshall Gooch, Ben Gott, John Greaves, Robert Hawes, Jude Hayden, Scott Haefner, Reinhard zur Heiden, Phil Hetherington, Paul Hosken, Toby Howard, Bill Humphries, Johan Huysse, James Isaacs, Naoyuki Isogai, Joe Jarrett, Shane Johns, Owen Keenan, Tom Keekley, Howard Kramer, Augie Krater, Philip Kret, Jacqueline Kroft, Marcus Kuley, Mark LaForge, Kai Lassfolk, Matthew Last, Dom Lawson, Peter E. Lee, Steve Levenstein, Björn Levidow, Christer Liljegren, Thomas R Loden, Holger Löschner, Peter Luetjens, Joe Lynn, Delia M., J. D. Mack, Claudio Maggiora, Emmanuel Marin, Don Marks, Marc Matsumoto, Yoshi Matsumoto, Niels P. Mayer, Scott A. C. McIntyre, Gary Milliken, Derek Miner, Pål Kristian Molin, Martin Monkman, Bill Moxim, Rolf Muckel, Brad Nelson, Lazlo Nibble, Gary Nicholson, Pär Nilsson, Gez Norris, Todd Oberly, Jefferson Ogata, Marc Padovani, Barry Parris, Mike Paulsen, David A. Pearlman, Richard Pedretti-Allen, Joe Perez, Barbara Petersen, Dan Phipps, John J. Pinto, Joe Radespiel, Martin van Rappard, Robert R Reall, Melissa Reaves, Joachim Reinbold, Ola Rinta-Koski, Dougie Robb, Paul Pledge Rodgers, Michael Rose, Jon Rosenberger, Ira Rosenblatt, Shawn Rusaw, Mark Rushton, Egidio Sabbadini, Annie Sattler, Steve Schechter, Timothy M. Schreyer, Erich Sellheim, Steven L. Sheffield, Tetsuya Shimizu, Hisaaki Shintaku, Jim Siedliski, Chris Sine, Dean Skilton, Christopher Slye, Frédéric Solans, Ian C Stewart, Bill Stow, Ken Strayhorn Jr., Mark Strijbos, Jeffrey Thomas, Jon Thomas, Robert C Thurston, Patrick Trudel, Adam Tyner, T P Uschanov, Maurits Verhoeff, Tim "Zastai" Van Holder, Jonas Wårstad, Duncan Watson, Jeff White, Bill Wikstrom, Wes Wilson, Kim E. Williams, David Wood, Paulo X, David Yazbek, Brett Young, Takada Yuichi, Jim Zittel.
Note: This document is available as both a multi-part document (more appropriate for web surfing), and a single document (suitable for printing). A plain text version is also available. A concise XTC discography (more of an overview) is also available. Recent changes to this document are indicated by type, are listed in the Recent Updates section of the Summary, are available in unified diff format, and are also available as an RSS feed.
), he is financially dependent on her family's wealth. To solve his problem, he hires two hitmen, Max and Edmond, to eliminate Brigitte.
While Maîtresse pour couple is often categorized within the pornographique or adult sub-genre, modern retrospective reviews note its attempt at "bold exploration of sexual freedom". It is frequently compared to other French classics of the period that explored alternative relationship dynamics and the "taboo" nature of desire. Maîtresse pour couple Alternate Title Mistress for a Couple / Maîtresse d'Amour Director Jean-Claude Roy Release Date September 7, 1980 (France) Genre Erotic Drama / Adult Legacy of the "Maîtresse" Archetype
The narrative of Maîtresse pour couple sets up a classic crime caper that quickly devolves into an unconventional romance. maitresse pour couple 1980 french classic
: To bypass the financial fallout of a divorce, Georges hires two hitmen, Max and Edmond, to eliminate his wife.
French adult cinema in the late 1970s and early 1980s was transitioning from theatrical art houses to home video format. Jean-Claude Roy was a prolific director who routinely combined crime, thriller, and drama themes with explicit adult set pieces. ), he is financially dependent on her family's wealth
A soft, often romanticized lighting that contrasted with the often harsh emotional realities being portrayed. Legacy and Impact
Maîtresse pour couple is not merely a film to be "watched"; it is a piece of cinematic history. For collectors of classic European erotica, for fans of Brigitte Lahaie, or for anyone curious about the narrative ambitions of adult cinema's Golden Age, the story of Georges, his rich wife, and his scheming mistress remains a unique and entertaining experience. It is frequently compared to other French classics
By 1980, the sexual revolution of the late 1960s had settled into the fabric of French society, but it brought new psychological complexities. Filmmakers no longer just wanted to shock audiences with nudity; they wanted to explore the emotional fallout of non-traditional relationships.
Modern reviews note that the film's pacing can feel rushed. The rapid transition from an attempted murder plot to a harmonious ménage à trois leaves little room for deep character development or emotional tension. However, for genre enthusiasts, the campy noir setups and the star-power of Lahaie make it an essential classic of its category.
In the sprawling universe of cult cinema, few genres capture the imagination quite like the sophisticated erotic dramas of late 20th-century France. For collectors, film historians, and enthusiasts of vintage romance, one specific long-tail keyword has been generating quiet buzz in forums and private tracker communities:
However, the plan backfires when Brigitte seduces the hitmen and turns them against George. She orchestrates a counter-plot where the men kidnap Claire, and the resulting ordeal is filmed to be shown to George as an act of calculated retaliation. Notable Cast and Production
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Revision 5.83s (26 July 2025)