Interactive graphs and explanations
about key economic concepts
for use in teaching and exploring
attention turns directly to the Ice Hashira (the guest character). The Mist Hashira looks to this original character for guidance, or perhaps for something more intimate. This inclusion of an original character (OC) is a hallmark of illuXXXtrandy’s work, allowing fans to insert themselves into the narrative and imagine where Muichiro’s loyalty might lead.
is a content creator known for engaging with anime fandoms through commentary, reaction videos, or community-driven discussions, particularly around popular shonen titles like Demon Slayer [1]. Their role in this context is as an commentator or analyzer who brings a unique perspective to these pivotal, high-stakes anime moments [1]. The Convergence: Hashira Meeting & Illuxxxtrandy
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He adjusted his sunglasses—despite it being the Taisho period—and flicked his hair, which seemed to be flowing in a wind that nobody else could feel. hashira meeting illuxxxtrandy
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The man, known only as illuxxxtrandy, strode forward. With every step, the ground seemed to crunch under diamond-studded boots.
Heavy use of halftones, spray-paint textures, and "glitch" effects that give the meeting a gritty, urban vibe. The Hashira Lineup: Reimagined attention turns directly to the Ice Hashira (the
The Hashira Meeting at the Ubuyashiki estate is one of the most visually and emotionally charged scenes in Demon Slayer, but the "illuxxxtrandy" interpretation brings a specific, stylized lens to this iconic gathering. This perspective blends the canonical intensity of the Demon Slayer Corps leadership with a high-fashion, hyper-saturated aesthetic that has taken the fan art and editorial community by storm.
Sanemi snapped. "You disrespectful little—!"
In the original series, the Hashira Meeting at the Ubuyashiki Estate represents the pinnacle of the Demon Slayer Corps' authority. Each Hashira carries a distinct silhouette, from Giyu Tomioka’s stoic split-pattern haori to Shinobu Kocho’s butterfly-inspired grace. is a content creator known for engaging with
refers to a highly popular adult fan animation and artwork series created by the independent digital artist known as IlluXXXtrandy . The project reimagines the iconic Hashira meetings from the hit anime and manga franchise Demon Slayer: Kimetsu no Yaiba , recasting the powerful Demon Slayer Corps leaders in an explicitly adult, mature narrative context. Distributed primarily across platforms like IlluXXXtrandy's Patreon and actively discussed across TikTok and X (formerly Twitter), this fan project bridges high-quality 2D digital animation with alternative NSFW storytelling. The Origin of the Phenomenon: Who is IlluXXXtrandy?
At its heart, illuXXXtrandy’s “Hashira Meeting” series takes a simple, canonical setting and injects a deliberately disruptive premise. In one of the most detailed scenarios, the meeting begins as expected: the Ice Hashira (an original character created by the artist) leads the assembled Pillars, including Gyomei Himejima, Shinobu Kocho, Muichiro Tokito, Giyu Tomioka, Obanai Iguro, Sanemi Shinazugawa, and Mitsuri Kanroji. All nine await the wisdom of Master Kagaya Ubuyashiki.
This article explores the narrative importance of the gathering at the Ubuyashiki Mansion and why it remains a prime target for viral fan animations. The hashira meeting Episode 23 | Kimetsu no Yaiba Wiki | Fandom
My name is Chris Makler. I’ve been a lecturer at Stanford University since 2015, and before that worked as the Senior Economist for Aplia, back when all Aplia did was econ. :) I hold a Ph.D. in economics from the University of Pennsylvania, and a B.A. in Humanities from Yale University.
I’ve created this site as an open source project to provide econ teachers with a standard set of interactive graphs they can use in classes. It’s heavily tilted toward the graphs I use in my own classes, which are intermediate micro classes with calculus; but I’m pretty much done with the main graphs for those topics, and am starting to branch out into both principles-level econ and (shudder) macro. Requests for new graphs are always welcome, so if there’s something you’d like to see, please let me know!
In addition to creating standalone graphs, for the past several years I’ve been working on developing an interactive textbook which invites the reader to manipulate graphs as they read. This is still very much in development and will change often!
However, although I use the textbook from beginning to end, I also recognized in writing it that “one-pagers” on economic concepts would be useful on their own, without the overarching narrative of the textbook. Therefore, I’ve begun the process of adapting the textbook in to “explanations” of core concepts. Look for more and more explanations to be added in the months ahead.
Comments and suggestions on all of the above are very much appreciated; send me a note at chris dot makler at gmail dot com. You can also find me on LinkedIn, Twitter, and EconTwitter.net.
Note that I develop and test using Google Chrome; while the site works on any modern browser, Chrome will provide the most predictable results.
I’m excited to be working with Simon Halliday, Doug McKee, and Anastasia Papadopoulou on research using the graphs and technology I developed for this site. Look for upcoming presentations at econ teaching conferences in 2023!
I’m also interested in exploring how this technology could be used to produce “one-pagers” on new research. If you’re interested in creating a snappy version of your research paper or dissertation chapter, please drop me a line…
This project would not have been possible without the mentorship of an outstanding group of friends and colleagues over the years, including (but certainly not limited to!) David Murphy, Karl Lew, Wilson Cheung, Harrison Caudill, and Kyle Moore.
I’ve drawn inspiration and support from the community Nicky Case has built up around Explorable Explanations, including Amit Patel, Chris Walker, Hamish Todd, Andy Matuschak, and many others.
The EconGraphs logo was generously contributed by Jørgen Veisdal.
Finally, and most importantly, I’d like to thank all of my students and TA’s, who have provided amazing feedback as I’ve developed and used these graphs in different ways in my classes over the years. Your patience and support is very much appreciated!
I use slides.com to present graphs in my lectures. Unlike most presentation software, this allows you to add iframes to your presentations and interact with them. See this page for some of the decks I use in my teaching.
The javascript engine I developed to make these graphs, the KineticGraphs Javascript Engine (KGJS), is open-source and freely available for use. It’s also under constant development, with new features being rolled out and existing features refined. (Please remember when looking at the source code that I’m an economist and not a software developer!)
However, for most applications I recommend Desmos. It’s an amazing web site that’s getting better all the time, and where I do most of my sketching out of ideas before coding them in KGJS.
I consider the graphs and explanations on this web site to be academic content like any other, and as such retain copyright to all work presented here. You are welcome to link to any of the graphs on this site for any purpose; in particular, graphs may be embedded within iframes without any need for a login. You’ll notice an inobtrusive copyright is included in the bottom-right corner of each graph, with a link back to this page. Of course any more prominent acknowledgement is also appreciated! :)
If you want to incorporate these kinds of graphs in a commercial project such as a textbook, I don’t recommend just linking to these graphs, as URLs may change or javascript may collide with a hosting page; also, the terminology I use may or may not match the terminology in your other materials. Instead, I am happy to serve as a consultant on commercial projects, either by creating graphs for your work or by training your own subject-matter experts on how to create them. This will allow you to host stable code on your site that you know works well with your project. If you’re interested in hiring me for this kind of work, please send me an email at chris dot makler at gmail dot com.